Top Searches
All
- Abby Wright
- Alexander Dixon
- Brian O'Callaghan
- Charis Entwisle
- Charles Binns
- Femi Adeleye
- Filippos Papadopoulos
- Giulia Federici
- Heini King
- Hesi Glowacki
- Jacqueline Nicholls
- Jasmine Kingsley-Cole
- Jenny Klein
- Jessica Rique
- K Blick
- Katy Gardner
- Laura Giesdorf
- Li Chen
- Lorna Carvill
- Matthew Dommett
- Mia Vallance
- Peter Phan
- Rosie Haynes
- Sara David
- Selin Uyar
- Teo Burki
- Teresa Zerafa Byrne
- Tijana Petrovic
F-J
U-Z
All
- Abby Wright
- Alexander Dixon
- Brian O'Callaghan
- Charis Entwisle
- Charles Binns
- Femi Adeleye
- Filippos Papadopoulos
- Giulia Federici
- Heini King
- Hesi Glowacki
- Jacqueline Nicholls
- Jasmine Kingsley-Cole
- Jenny Klein
- Jessica Rique
- K Blick
- Katy Gardner
- Laura Giesdorf
- Li Chen
- Lorna Carvill
- Matthew Dommett
- Mia Vallance
- Peter Phan
- Rosie Haynes
- Sara David
- Selin Uyar
- Teo Burki
- Teresa Zerafa Byrne
- Tijana Petrovic
F-J
U-Z
Abby Wright
Paper Body Landscape; Hands, Fingers, Toes and Feet, 2020
Black-and-white photograph
38.1 x 45.7 cm
Abby Wright
Paper Body Landscape; Mark Remnants on My Back, 2020
Black-and-white photograph
45.7 x 38.1 cm
Greta Voeller is an editor and curator with a professional background in curatorship, audience engagement and print media. She has worked as an editor and contributor of publications including Purple (Paris) and NGV Magazine (Melbourne) and has co-curated several exhibitions, starting from Triennial Voices (NGV Triennial, 2017) at the National Gallery of Victoria and more recently London Grads Now at Saatchi Gallery in 2020. Her research concerns are directed towards establishing critical curatorial frameworks that amalgamate diversified, audience centred and editorial methodologies, enabling all of these aspects to coexist within the same spheres of cultural production.
“New Futures Digital presents an assembly of works by CSM graduates that investigate many of the recurring and new societal discourses of our times: the unpredictability of crisis, environmental and sustainability issues, history and personal histories, identity politics in constant flux and most recently the focus on isolation. We are deeply grateful and committed to working with emerging artists that foster new perspectives and express the joys and struggles of our contemporary society.”
“What felt pertinent in this selection of works by CSM graduates was the urgency of visualising and responding to the prominent subjects and questions of contemporary society, substituting alienation and isolation with hopeful and compassionate future-thinking, and new scenarios on the edge of possibility.”
Mazzy-Mae Green is a London-based curator and editor specialising in contemporary conceptual art and culture. This year, she co-curated London Grads Now at Saatchi Gallery, as well as an online, 3D-modelled exhibition of works by the artist Vivien Rothwell. Through her practice, she seeks to engage with emerging artists and the work of her contemporaries. She is a member of the gallery advocacy project Credit, and has been editor of Modern Matter magazine for three years. She has just completed an MA in Culture, Criticism and Curation at Central Saint Martins.
“We feel strongly about championing emerging art, and it’s great to see that engagement with this premise has only grown over the last year. Being able to bring this project to Kovet.Art is an exciting and important opportunity. This applies not only to the included artists, but to us, too; working across these projects, we’ve seen the development of these artists’ visions and style, and we feel privileged to collaborate with those shaping our contemporary arts landscape.”
“Through the thematic lens of selfhood, distance and reflection, we’ve pulled together in New Futures Digital some of the most exciting emerging artists from Central Saint Martins.”
