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K Blick
Dinosaur’s Playground I / Prometheus Stole the Fire from Zeus and Gave It to Animals and not Humans, 2020
£3,800 exc VAT
Jenny Klein
Untitled #7 from the series Boo, 2020
£650 exc VAT
Giulia Federici
A Melody, 2020
£3,400 exc VAT
Katy Gardner
Council of the Overseers, 2020
£1,650 exc VAT
Mia Vallance
Tattoo Memory, 2020
£2,000 exc VAT
Sara David
Hold on, Let Me Ask My Mom First!, 2019
£500 exc VAT
Katy Gardner
Mycelium, 2020
£2,000 exc VAT
Hesi Glowacki
bo jakby księżyc zadrżał pod stopami i każdy kierunek się objawił (suddenly as if the moon trembled under my feet and every direction revealed itself), 2020
£1,500 exc VAT
Jenny Klein
Untitled #12 from the series Boo, 2020
£650 exc VAT
Matthew Dommett
Like Boredom, 2020
£650 exc VAT
Lorna Carvill
Untitled: Experiments for “We Drift Like Worried Fire”, 2019
£950 exc VAT
Teresa Zerafa Byrne
Imagined Satellite 3, 2020
£850 exc VAT
Teresa Zerafa Byrne
Memory Skeleton – Imagined, 2020
£5,500 exc VAT
Abby Wright
Paper Body Landscape; Mark Remnants on My Back, 2020
£2,000 exc VAT
Jessica Rique
‘Untitled’ from the series ‘Expression Altérée’, 2020
£750 exc VAT
Mia Vallance
Windowlicker, 2020
£2,000 exc VAT
Jessica Rique
‘Untitled’ from the series ‘Expression Altérée’, 2020
£950 exc VAT
Giulia Federici
Within Myself, 2019
£5,500 exc VAT
Sara David
Stop, Let Me Dance!, 2019
£750 exc VAT
Abby Wright
Paper Body Landscape; Hands, Fingers, Toes and Feet, 2020
£2,000 exc VAT
Matthew Dommett
Like a Cowboy, 2020
£650 exc VAT
Hesi Glowacki
In the beauty of wilting autumn, it sprouts, blooms, and takes root, 2020
£1,500 exc VAT
Greta Voeller is an editor and curator with a professional background in curatorship, audience engagement and print media. She has worked as an editor and contributor of publications including Purple (Paris) and NGV Magazine (Melbourne) and has co-curated several exhibitions, starting from Triennial Voices (NGV Triennial, 2017) at the National Gallery of Victoria and more recently London Grads Now at Saatchi Gallery in 2020. Her research concerns are directed towards establishing critical curatorial frameworks that amalgamate diversified, audience centred and editorial methodologies, enabling all of these aspects to coexist within the same spheres of cultural production.
“New Futures Digital presents an assembly of works by CSM graduates that investigate many of the recurring and new societal discourses of our times: the unpredictability of crisis, environmental and sustainability issues, history and personal histories, identity politics in constant flux and most recently the focus on isolation. We are deeply grateful and committed to working with emerging artists that foster new perspectives and express the joys and struggles of our contemporary society.”
“What felt pertinent in this selection of works by CSM graduates was the urgency of visualising and responding to the prominent subjects and questions of contemporary society, substituting alienation and isolation with hopeful and compassionate future-thinking, and new scenarios on the edge of possibility.”
Mazzy-Mae Green is a London-based curator and editor specialising in contemporary conceptual art and culture. This year, she co-curated London Grads Now at Saatchi Gallery, as well as an online, 3D-modelled exhibition of works by the artist Vivien Rothwell. Through her practice, she seeks to engage with emerging artists and the work of her contemporaries. She is a member of the gallery advocacy project Credit, and has been editor of Modern Matter magazine for three years. She has just completed an MA in Culture, Criticism and Curation at Central Saint Martins.
“We feel strongly about championing emerging art, and it’s great to see that engagement with this premise has only grown over the last year. Being able to bring this project to Kovet.Art is an exciting and important opportunity. This applies not only to the included artists, but to us, too; working across these projects, we’ve seen the development of these artists’ visions and style, and we feel privileged to collaborate with those shaping our contemporary arts landscape.”
“Through the thematic lens of selfhood, distance and reflection, we’ve pulled together in New Futures Digital some of the most exciting emerging artists from Central Saint Martins.”
