Katy Gardner
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Katy Gardner
Listed Price Plus 20% VAT If Applicable
Council of the Overseers, 2020
Oil, pen, pencil, printing ink and black gesso on canvas
71 x 160 cm
About this work
Council of the Overseers explores the liminal space between real and imagined experiences. Using fluid printing ink as a base for developing imagery, Gardner has combined the unpredictability of the material with intentional mark making. Visualising the impact of reconstructed memories, dreams and reoccurring visuals on the makeup of one’s perception, Council of the Overseers presents an otherworldly space where ambiguity and familiarity are interlaced. The fragile imagery addresses a yearning to assign meaning to elusive forms, in an attempt to move towards a state of knowing. Methodically using a few key material techniques, the piece looks to uncover a meditative calm in a state of obscurity.
Council of the Overseers will be exhibited at King House Gallery, Stratford-upon-Avon, from 12th-25th April. The work will be shipped at the closing of the show.
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About Katy Gardner
Katy Gardner is a London-based painter and printmaker with a strong focus on the fusion and progression of materials. Gardner’s practice works with notions of memory, dreams and the nocturnal, and in particular the transitional space between reality and imagination. She lets the materials take partial control of her output, so that each piece is a collaboration of intentional and unpredictable imagery.
“Every evening as the sun sets, there is a small interlude between the clarity of day and the heavy blackness of night. The encroaching darkness presents a transient state where imagined forms can intermingle with familiar surroundings to briefly create a new, uncanny space.” – Katy Gardner
Through her practice, Gardner seeks to unlock the space between the familiar and the unknown. A constant yearning to understand dreams, distant memories, and mutating shapes in the dark informs the process-led development of each artwork, resulting in images that present a collaboration of subconscious thinking and external forces. While the artist alludes to fluid, natural formations in these works, they are also abstract and compositionally elusive. The viewer can distort the piece to fit their own perceptions: a process that Gardner explicitly and actively invites.
Education
2016 - 2020 Central Saint Martins (UAL) / Fine Art BA(Hons), London
Exhibitions
2020
London Grads Now, Saatchi Gallery
UAL Graduate Showcase, Online
Burnt Out, Central Saint Martins
2019
Open Studios, Central Saint Martins
Wheels To Water, Petrie Museum of Egyptian Archaeology
Interim Show, Central Saint Martins
2018
C302 Collective Moving Exhibition, London
Open Studios, Central Saint Martins
2017
Foundation Show, Central Saint Martins
Lindfield Arts Festival, Limes Bistro
2016
CIC Art Trail, Haywards Heath (Ice)