Alexander Dixon
Alexander Dixon
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Hybrid Reflections 4, 2020
Digital image printed onto circular dibond
140 cm diameter
Edition of 3 + 1 AP
About this work
These works are part of an ongoing series utilising photography to create hybrid surfaces. Combining two distorted realities, materials are erased and merged through the process of overlapping images. Partially dictated by the digital process, areas of disruption are created where textures and forms collide: steel becomes liquid and algae appears to exist under metallic paint, while water becomes polished and divided into shaped panels. Illusions unify across time as sections collide, captured and frozen by the image.
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About Alexander Dixon
Alexander Dixon is an artist based in the West Midlands. He received his BA in Fine Art Photography from Camberwell College of Arts, before completing an MA in Fine Art at Central Saint Martins. His practice combines photography and sculpture, using these mediums as a point to explore the city, and his place within it. Recent exhibitions of the artist’s work include Tomorrow: London at White Cube, and London Grads Now at Saatchi Gallery.
Dixon’s practice centres on the act of walking, discovering and recording the changing materiality of the urban environment. He views this process as one of disconnection, observing London from a near-outside perspective; Dixon has previously spoken of his experience of dislocation in such a large city. A disruption of the familiar through these therapeutic encounters has become a ritual for the artist, bringing back a sense of time through the physical evidence of ecological transformation. Dixon’s practice seeks to investigate the relationship between natural and artificial realms. Specifically, it considers how these two domains coincide as changes in technology allow us to manipulate the forms and materials that define our environment. The artist draws attention to perception as largely defined by the surfaces that surround us. As these tactile and visual worlds transform, so do our realities. This thinking has been largely informed by De Landa’s book on A Thousand Years of Non-Linear History, in which the Spanish Franciscan priest writes that “We live in a world populated by structures - a complex mixture of geological, biological, social and linguistic constructions that are nothing but accumulations of material shaped and hardened by history.”
Education
UAL Central Saint Martins - MA Fine Art - Distinction
UAL Camberwell College of Arts - BA Fine Art Photography - Merit Warwickshire College - Art Foundation Diploma - Distinction
Exhibitions
2020
Interview with Modern Matter Magazine / London / UK
London Grads Now / Saatchi Gallery / London UK
Tomorrow: London / White Cube / London / UK
CSM Graduate Showcase / CSM / London / UK
2019
Big Space / Central Saint Martins / London / UK
CSM Fine Art Auction / Lethaby Gallery / London / UK 2019 / Merz Barn Residency / Lake District / UK
HIX Award / HIX Art Gallery / London / UK
All the things I cannot say / hARTslane Gallery / London / UK 2019 / Twenty Five Ponds / Hampstead Heath / London / UK
Hollow Chambers / Crypt Gallery / London / UK
Central Saint Martins MA Interim show / Apiary Studios / London / UK
2017
Camberwell Degree show / Camberwell College / London / UK
Spielraum / Crypt Gallery / London / UK
2016
Untitled / Hotel Elephant / London / UK
2016
Hermits Castle, Achmelvich / e Gallery on e Corner / London / UK
2015
Camberwell Second Year Show / CGP London / London / UK
Blue Line Collective / Hackney Downs Studios / London /UK