Jenny Klein
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Jenny Klein
Listed Price ex. VAT
Untitled #12 from the series Boo, 2020
Archival print with hand stitch
34 x 28cm
About this Work
The Boo series plays with themes of dance, play and concealment. The title of the photographs suggests something quite lighthearted, but each viewer will bring their own ideas, memories and interpretations to the work. Klein shot the pictures for Boo in natural daylight, thus enabling her to work quickly and instinctively, and to work alone, so she could think and create with focus. She used a timer and a remote control in the process; making the images veiled self-portraits.
As with her other work, Klein has stitched into these photographs. In the series, stitches create new shapes and outlines that contrast with the textures of the exposed legs, the creased sheet or the flaking wall. Although the sewn shapes enclose the figure, they also suggest auras, or even force fields. They give the unknown contents of the sheet power and beauty.
About Jenny Klein
Jenny Klein is an artist and writer living and working between London and Southern Italy. She gained her MA in Fine Art at Central Saint Martins. Her practice centres on themes of time and memory, location and surface, and the encounter between the artist and the viewer at the shifting skin of the artwork. She works with a range of media including photography, assemblage and stitch. Her work has been exhibited widely across the UK with shows at Saatchi Gallery, Crypt Gallery, Tate Modern and Harrow Arts Centre.
Klein works with a range of materials and techniques including photography, stitch, painting and sculpture, to explore the ways in which surfaces and objects become repositories for experience and memory. She combines materials and processes to create new textures and associations. Her practice also considers the possibilities and limits of language, what can be spoken and what must be shown.
Klein’s recent work explores the body as a location and skin as a surface that conceals and reveals. Across single images and series, photographs of her body, simple objects, stitches and text are combined to produce shapes and forms that are ambiguous and often absurd. Photographs are cropped and enlarged to emphasise abstraction, geometry and texture, while maintaining the close, at times intimate, relationship to the body, with its marks and scars. In some images the surface of the photograph is stitched into, in others the skin is enhanced or interrupted by, for example, pressure or tape, before the picture is taken. Stitch and piercing are both an alternative form of drawing and a way to consider the limits of surface. These are gendered techniques, reflecting the artist’s longstanding interest in feminist discourse – thread as a feminine material. Stitches also represent the element of time and touch built into each piece, through the careful process of hand stitching. Each stitch becomes a unit of time, small in itself but expanding as part of a whole under the artist’s hand.
Education
2020 MA Fine Art (Distinction) from Central St Martins, UAL
2001 PGCE from Goldsmiths College
1994 Foundation Certificate in Art from Camberwell College of Arts
BA Joint Honours English and Philosophy from Bristol University
Exhibitions
2020
London Grads Now - Saatchi Gallery
Emergent Visions - Safehouse Gallery
My House is an Island – Arthaushouse
Central St Martin’s Online Graduate Showcase
Unlocked - Cortili Aperti, Martano, Italy
Together - Slash Arts at the Harwich Arts Space
2019
Deptford X Festival, London SE8
All the things I cannot say - hARTslane Gallery, London SE14
Hollow Chambers – Crypt Gallery, London NW1
Here We Are We Here - Apiary Studios London E2
Stages of Life – Harrow Arts Centre, Harrow HA5
Tate Exchange - Tate Modern