Candice Jewell
Candice Jewell
Untitled #3 from Sequester, 2019
Giclée print on Hahnemühle Photo Rag 308gsm
60 x 85 cm, Edition of 10 + 2 AP
110 x 149.5 cm, Edition of 5 + 2 AP
Both sizes include a 2cm white margin for framing
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About this Work
This limited edition series of performance works, entitled ‘Sequester’, aims to create genderless images which remove the ‘filter’ of the male and female gaze. However, to detach the subject’s gender from their identity, it was crucial that their identity was hidden. Jewell hand stitches her garments made of make up pads, a social commentary on societal expectations of how women must look, groom themselves and perform. These constructions become almost an alter-ego, allowing different personalities to come and go. It is as if each fold of the paper represented a different personality, or, rather, its veil. “By masquerading your real self, time and time again, your performative-self becomes all you know, causing a loss of identity,” the artist declared.
The series is inspired by the artist’s personal struggle with her health and her self-worth throughout her childhood and adolescence. The internal battle caused by this experience, which led to insecurities and difficulties accepting herself, caused Jewell to reflect on, and subsequently challenge the meaning of identity. Back then, concealing her body made her feel free, something she considers both ironic and disappointing. In her current works, she recreates this hide-and-seek, disguising her body beneath layers of crepe paper.
Please note, photographs in this edition are tiered and the price increases as the edition sells.
About Candice Jewell
"Gender reality is performative which means, quite simply, that it is real only to the extent that it is performed." — Judith Butler, 1988, 'Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory'
Sequester takes its inspiration from the feminist movement. In a bid to challenge gender constructions, the artist's body is abstracted and concealed. Both gender and identity are hidden, with only form and object providing interpretive clues. The use of crepe paper covering the subject with dramatic layers aims to highlight the alter egos and surface personalities one creates when in the spotlight. Meanwhile, the cloak of sponges absorbs the subject until there is nothing left, only what society demands. Through images that are gender ambiguous, which remove the ‘filter’ of the male and female gaze, Jewell wants the viewer to understand the desire of hiding oneself away, which then gives on to a growing confidence to free oneself.
Education
2016- 2019 Degree in BA (Hons) Photography (2:1) completed at Plymouth College of Art
Awards
2019 Outstanding Studentship Award (Awarded by Plymouth College of Art BA Photography department)
Exhibitions
2019
Free Range, London
Plymouth College of Art Degree show
2017
St Saviours, Plymouth